Thursday, October 23, 2014

Monday, October 20, 2014

Rebecca Horn

I've been thinking about some of Rebecca Horn's work.


   Mechanischer Körperfächer, Mechanical Body Fan, 1973-74

In her early works the body is frequently fitted with prosthetic extensions that allow the wearer to feel at a distance impossible for the natural body.  In her piece Finger Gloves, Horn describes the sensation of touching things at a distance as "sense-data." Again an artwork that delves into a material engagement of telematic sensation, a network of a few inches rather than the entire planet, but removed from direct contact all the same. (text from Degenerate Art Ensemble blog)




Friday, September 19, 2014

uP!



Just some more visual essay/collage exploration...............






Thursday, September 18, 2014

word play

This week I started getting back to one of those activities that I used to get lost in for hours and hours back in the early 90's ;) ...    Collaging!!!  This time I collaged without glue (perhaps then it's no longer a collage...hmmm).  Anyway, it was nice without the glue.  It was very fluid and allowed for movement and more than one possibility to explore text, sound, and form in different ways.   next step:  learning how to animate one of these "visual collages" and add illustrations.  











Wednesday, September 17, 2014

The importance of play

Somersaulting.  What a funny little activity.  Go ahead and give it a try and see if changes your perspective on life just for a few minutes.  Just having your body engage in a playful, somewhat awkward childlike action (like a somersault) will inherently have an affect on you.  It doesn't have to be "childish"... animals do it all of the time.  It's called... fun!   Try it.

 Turn your world upside down and all around.  
MOVE.
Change your perspective. 
Get playful!



Play. 

“Play provides freedom from time.  When we are fully engaged in play, we lose a sense of passage of time.  We also experience diminished consciousness of self.  We stop worrying about whether we look good or awkward, smart, or stupid.  We stop thinking about the fact that we are thinking.  In imaginative play, we can even be a different self.  We are fully in the moment, in the zone.  We are experiencing what psychologist Mihaly Csikszentmihalyi calls “flow.” …

Another hallmark of play is that is has improvisational potential. …The act of play itself may be outside of “normal” activities.  The result is that we stumble upon new behaviors, thoughts, strategies, movements, or ways of being.”     (pg. 17 from “Play” by Stuart Brown)